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Information Hours: 11 AM -6 PM Tue-Fri and beginning 2 hours before showtime through intermission.

17 W Congress
Tucson, AZ. 85701
U. S.

(520)547-3040

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Shawn Colvin

“…extraordinary songs, mesmerising guitar playing, and a voice that goes effortlessly from bruise-tender to scar-hard in a matter of minutes…her lyrics are crafted and clever, full of subtlety and polished phrases…With delicious sarcasm and acerbic stories, she held the audience spellbound…her songs are so personal to her that they speak to everyone who listens.”     -The Guardian 

In an era when female singer-songwriters are ever more ubiquitous, Shawn Colvin stands out as a singular and enduring talent. Her songs are slow-release works of craft and catharsis that become treasured, lifetime companions for their listeners. As a storyteller, Colvin is both keen and warm-hearted, leavening even the toughest tales with tenderness, empathy, and a searing sense of humor. In the 27 years since the release of her debut album, Colvin has won three Grammy Awards, released eleven albums, written a critically acclaimed memoir, maintained a non-stop national and international touring schedule, appeared on countless television and radio programs, had her songs featured in major motion pictures, and created a remarkable canon of work.

Colvin was born in Vermillion, South Dakota, where she lived until she was eight. A small-town childhood in the university town of Carbondale, Illinois, drew her to the guitar by the age of 10. She made her first public appearance on campus at the University of Illinois at age 15. By the late 1970s Colvin was singing in a Western Swing band in Austin, Texas—the city she now calls home. Moving to New York at the decade’s end she remained in the country music field as a member of the Buddy Miller Band until she met producer, guitarist, and co-writer John Leventhal. Leventhal inspired Colvin to find her own voice as a songwriter. She began honing her skill, and was soon signed to Columbia records. Her first album, Steady On won a Grammy Award for Best Contemporary Folk Recording. 

Colvin continued to win fans and critics with her subsequent releases, Fat City (1992) and Cover Girl (1994). In 1996, she released A Few Small Repairs (1996), which would prove to be her breakthrough. The murder-ballad “Sunny Came Home” gave Colvin a Top 10 hit, a platinum-selling album and two of Grammy’s biggest honors: Record of the Year and Song of the Year.

Holiday Songs And Lullabies (1998), recorded while Colvin was eight and a half months pregnant with her daughter Caledonia, followed. Her next studio album, Whole New You (2001) found Colvin examining her new motherhood and the responsibilities of family. Polaroids (2004) is a showcase for the first half of her recording career. Her Nonesuch debut These Four Walls (2006) was lauded by People Magazine as “the most self-assured album of her career” and “one for the ages” by the Washington Post. The Austin-American Statesman called it “an exquisite portrait of strength and vulnerability.”

Shawn Colvin Live (2009), was recorded during a special three-night solo engagement at San Francisco’s famous jazz club, Yoshi’s. Live captures the beauty and intimacy of Colvin’s performances, showcasing her inimitable voice and matchless guitar stylings. Praised by both critics and fans, the album was honored with a Grammy Award nomination for Best Contemporary Folk Recording.

All Fall Down (2012), Shawn’s eighth studio album, was the first to be produced by her longtime friend and cohort Buddy Miller (Patty Griffin, Robert Plant, Lucinda Williams). Recorded in Nashville with a group of stellar musicians, the album features performances by Alison Krauss, Emmylou Harris, Jakob Dylan, Bill Frisell, Viktor Krauss, Brian Blade, Stuart Duncan, and Julie Miller.

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Multi-instrumentalist, singer-songwriter Larry Campbell and singer-guitarist Teresa Williams’ acclaimed eponymous 2015 debut, released after seven years of playing in Levon Helm’s band – and frequent guesting with Phil Lesh, Little Feat, Jorma Kaukonen and Jack Casady, brought to the stage the crackling creative energy of a decades-long offstage union. A whirlwind of touring and promo followed, and when the dust cleared, the duo was ready to do it all again. Which brings us to Contraband Love, a riskier slice of Americana.

Larry, who produced Contraband Love, says, “I wanted this record to be a progression, bigger than the first one. That’s all I knew. I wanted the songwriting to be deeper, the arrangements more interesting, the performances more dynamic. Specifically how to get there, I didn’t know. I did know the songs were different. The subject matter was darker than anything else I’ve written.”

“More painful!” Teresa says, and laughs.

“Yeah,” Larry says with a smile. “I’m proud of our debut, but I felt like the songs were lighter than what I’m capable of doing. As a songwriter, I aspire to a sense of uniqueness: this is a great song and it could only have been written by me. I want to get there. It’s a journey, a goal, a pursuit. The mechanics of that pursuit are figuring out what you need to do to surpass your last body of work.”

Although it was not his conscious intent, three of the eight tunes Campbell penned for Contraband Love deal either obliquely or directly with various emotions surrounding addiction. For the blues rocking “Three Days in A Row,” he authoritatively delves into the crucial first seventy-two hours directly following an addict going cold turkey in an effort to get clean. “I was thinking about the things I’ve quit in my life,” he says. “The last time was cigarettes. I remembered the dreams I had in withdrawal.” Vintage-sounding country nugget “Save Me from Myself” (featuring Little Feat’s Bill Payne on piano) explores a troubled soul’s heartrending knowledge that they are hard to love. “I’ve certainly felt both sides of that situation,” Larry says, “and observed it many times.” Delicate waltz “Contraband Love,” a captivating vocal showcase for Teresa, takes on the other side of the story, when a parent (or spouse, or friend, etc.) realizes their only recourse for dealing with an addict is merely to stand “with arms wide open.” Of this remarkable piece, Larry says, “That melody would not leave me alone. It’s one of the more unique songs I’ve ever written.”


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VIP Packages on sale now!

Shawn Colvin - Meet & Greet Package

Package price: $143.00 - first three rows in center orchestra
                        $133.00 - first three rows in right or left orchestra
                                        fourth or fifth row center


Package includes:
One premium reserved ticket
VIP early access into the venue
Exclusive meet & greet with Shawn Colvin
Personal photograph with Shawn Colvin
Private and intimate pre-show acoustic performance by Shawn Colvin
Q&A with Shawn Colvin
Collectible tour poster autographed by Shawn Colvin (numbered, limited print)
Specially designed Shawn Colvin tote bag
Official meet & greet laminate
Commemorative ticket
Limited availability
 

Shawn Colvin Tour Package

Package price: $93.00

Package includes:
One premium reserved ticket located in the first 10 rows
Collectible tour poster autographed by Shawn Colvin (numbered, limited print)
Specially designed Shawn Colvin tote bag
Commemorative ticket

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